Langsung ke konten utama

I Call It a Gang or... Team!

I met Kang Galih and Kang Otep in front of Social Ed Faculty building last night. When I arrived there, I see five freshmen that would likely joining the group of this thing. This thing is a gang, or a group, made by people who learn contemporary dance. We, first, introduce self to each other. Then, made a group discussion about what will we do in several months later.

"There will be no payments from any party, we have to gather money together. We learn together, then... We will have fun," said Kang Galih.
Kang Galih is an alumni. He will guide Kang Otep to plan and choreograph the gang. Later in the discussion, when we at first informed to have physical exercise here, the exercise cancelled because it is not good to exercise in a time like that. We got to know each other and then plan how much people will join the gang. He asked freshmen to gather as many as possible people to join. Then, we talked about our plan to perform in some performances including Tidak Sekedar Tari at Solo and the basic of traditional dance that they learned on class. The wind flowed to the building, making us cold. The discussion went on.

I watched the whole discussion until the freshmen was excused to go. They left the building. Then, Kang Galih talked to me about my participation in Drama Tari May ago. I told him that I love dancing as part of my life, so I worth joining.

I thought that that is the right time to ask Kang Otep about my question regarding to Drama Tari. He clarified my statement and agreed that everything that happened in the officials was a rough but successful journey. So, there would be no question anymore. I appreciate that.

There were four person left; me, Kang Galih and Kang Otep. I talked to them about my experience joining the dance therapy last year and my opinion how to enhance a dance performance with psychological approach. Kang Galih approved me that the performance also needs psychology to deliver its message, to make the audience feel the same way as we think. So, there would be some strategy to make further choreography meaningful.

Kang Galih also mentioned that we need to exercise better. So, there will be physical exercise, yoga, swimming, hip hop routines, and so on.

In the end, the talks closed after Kang Galih and Kang Otep ask me whether I can join next exercise or not. I affirmed it. Then we will gather again in specified time.

Komentar

Postingan populer dari blog ini

CATATAN AKHIR KARYA KESADARAN WANITA ALPHA VULKANO VULVA

(Kesadaran Wanita Alpha:) Vulkano Vulva (3/8)Sinopsis:Berdasarkan karya seorang perempuan, Ratna Ayu Budhiarti
"Matilah Kau di Dadaku" dan "Perempuan Baja"
dalam gejolak magma
Kesadaran perempuan dalam mimpi terkuat
karena berbagai tekanan keadaan
lucu
anak-anak
polos
seadanya
Credits (Kesadaran Wanita Alpha) Vulkano Vulva
Director
Yudi Gentong
Koreografer Kaladian Raharja
Komposer Deden
Performer: Teater Samak
SAMAK2

Selma Jasmine
Adelia Oktaviani
Widiantu Sri Anjani
Aulia Putri Alkamisi
Sulis
Faisal Muflih
Muhammad Fadhila Anhar
M Abdul Agisna Safei
Bayu Hermawan
Naufal Rasyid Shidqy
SAMAK7
Lina Marlyana
Dila Fauziah
Neneng Henti Sugiarti
Risna Abdul Fatah
Fitri Nurhasanah
Aisri Ratna Dewi
Pemusik
Deden
Ijal
Stage Manager
Acep Bari'7
Nada Adan'2
Kru
Dinda
Ginar
Rifaldi
Puri
Ncep Wildan
- dedikasi untuk perempuan, Li Arofu -
"Terima kasih telah menyelamatkan hidupku..."

MASIGIT: WANGUNAN MULIH KA GUSTI TINA PUSEUR JAGAD NAGRI

Minggu, 26 Juni 2016
PASHEMAN Paskibra SMK Negeri 2 Garut bersama teman-teman penari dari komunitas teater tari Garut mementaskan sebuah pertunjukan tari kontemporer yang berjudul "Masigit: Wangunan Mulih Ka Gusti Tina Puseur Jagad Nagri" di acara Sa'alam Ramadhan XVI yang diselenggarakan oleh HISDRAGA (Himpunan Sastrawan Dramawan Garut). Aku ikut serta sebagai koreografer sekaligus direktor kelompok ini. Mencari, berusaha, dan berupaya untuk memahami Kota Garut dari bangunannya, Masjid Agung Garut.

[Video pertunjukan belum diunggah]


Mengenai Hero

K: Pernah nemu literatur yang bahas ini? Aku lagi di tahap 3.
http://www.thewritersjourney.com/hero's_journey.htm

F: Baru sekarang, tapi menurutku kau sudah di tahap 4 atau 5, kalau merecall kembali semua yg kau ceritakan. Menurutku di tahap itulah orang menjadi 'yang lain', bahkan mulai teralienasi

K: Kau mungkin benar. Nampaknya aku masih melaluinya perlahan-lahan.
Setelah ku renungkan, ternyata aku sudah di tahap 6

F: Kira" apakah hero ini punya semacam job mirip ff? Dan test  di tahap 6 berkaitan dengan job? "You either die as hero, or live  long enough to  see yourself become villain" -Harvey Dent, the Dark Knight, menurutmu apakah dalam hero journey ini sang hero bisa misguide, dan mengapa? 

K: Bisa jadi ada semacam sistem job yang termasuk di dalamnya. Yang mengubah job awal seseorang menjadi job transenden.
Jika dikaitkan dengan ku, aku merasakan krisis eksistensial sebagai penari. Setelah pertunjukan masigit, aku menyadari bahwa aku mampu me…